Tuesday, October 25, 2016

My Daughter is a Perfectionist

Carmelle McKinley, ballet teacher at Vimy Dance felt that many parents could connect with this article from the ballet blog - https://www.theballetblog.com/portfolio/my-daughter-a-perfectionist/

My daughter is the ultimate perfectionist. Even when she does a flawless performance she thinks that she is terrible and scrutinizes every move. Is this healthy?
Ballet is one of the most competitive industries in the world. There are so few positions at the top, and every girl wants to be a prima ballerina. This is a perfect example of a mismatch between supply and demand. There is a massive, massive supply of budding ballerinas, and very little demand for professional classical dancers. Even though each large company may have a feeder school, positions only become available in a company if someone is out due to retirement, injury or reduced performance. They do not just rotate company members to give the new girl a shot. When it comes to this kind of reality and that level of competition, a dancer will actually need a certain amount of perfectionism to get to the top.
Every dancer needs to do the perfectionist thing. That’s what makes ballet so beautiful. There is a sense of perfection and being beyond reality. However it is important to look at her motivation. Girls will use perfection and imperfection as a motivation to keep dancing. Were they ever to be satisfied they might give up. However, if they constantly scrutinize everything they do then they will keep striving towards perfection. The girls who have succeeded, the girls who are number one all have the perfectionism streak, but they also have the ability to sense satisfaction. When you look at a dancer who does nothing but criticize and is critical of herself and the dancing, there is always this angst in her energy. There is angst in the way she dances. There is this lack of satisfaction. But watching a dancer who can look at herself and be not forgiving, but appreciative when she does hit the mark, is a totally different experience. Not only can you judge and critique but can you appreciate your work? When you hit the mark, do you notice it? Or don’t you? Do you ignore all the times you got it right and focus solely on the time you didn’t?
It’s not about stopping a dancer from being a perfectionist, but asking her to add appreciation for hitting the mark. The error is often in the parents and in the teachers who try to stop girls from being critical. We don’t want her to stop being critical, as an athlete that is a brilliant, and crucial trait. You need that competitive edge in this world. But just make sure that every time she hits the mark she jumps up and down once. Then she can go back to being critical, as critical as she likes! The game is not to stop the critique, but to also get the balance that says “I got it!” Then she knows why she is being critical. There is a purpose for the critique. But if she is never going to actually recognize hitting it, then she will always just be critical and it is a downward spiral. If she can then convert all of her criticisms into completions, then there will be a celebration that night!

Tuesday, October 18, 2016

Should Dancers Lift Weights?

ESB admin found this article and shared it our Facebook page.  It is from Dance Magazine online.















http://dancemagazine.com/inside-dm/magazine/should-dancers-lift-weights/ 
Don’t fall for these all-too-common strength-training myths














Photos by Nathan Sayers


During his dancing days, Jared Kaplan used to look down on strength training. “I was a snobby dancer,” he says. “I thought, Why would I need to lift weights?” Then Kaplan, 6′ 2″, was cast in a role originated by a shorter dancer, and realized he needed more power to move as quickly and explosively as someone smaller. He became a weight-room convert, and quickly saw a difference: Once he started a strength-training routine, his body felt less “strained” during demanding performances, and he grew aware of imbalances resulting from repetitive rehearsal of one-sided movements.

Many dancers are intimidated by weight training—or even think it is detrimental. According to Dr. Brent Brookbush, a trainer, physical therapist and president of the Brookbush Institute, they are missing out. “Just think of the relationship between strength and your performance,” he says. “Jumping, lifting, holding positions. Resistance training can help with all of that.” Whether you call it weight training, strength training or resistance training, exercises that increase your strength by lifting weights (or even just your own body weight) could take your dancing to the next level.

Myth: It will make me “bulky”
This myth is one of the most pervasive misconceptions about weight training. “Nobody gets bulky by accident. Putting on muscle takes a lot of work. A lot of work,” says Brookbush. Supplemental weight lifting once or (ideally) twice a week is enough to make you stronger, but will not cause huge gains in muscle size.

Aesthetics are not the main reason experts recommend dancers strength train. Kaplan, who is now a personal trainer and Pilates instructor, suggests using workouts to reconnect with how your body feels, not just how it looks. “Gym time doesn’t have to be about an externally motivated form,” he says.

Myth: It will make my body stiff
“Research shows that resistance training has no negative effect on flexibility, and may even improve it,” says Brookbush. The key, according to Kaplan, is working within a full but safe range of motion. A 2011 study found similar flexibility gains between people who followed a full-range-of-motion resistance-training program and those that followed a static stretching routine.

However, any form of exercise can exacerbate musculoskeletal problems, warns Brookbush. For example, dancers tend to be tight in their thoracic spines, calves and deep external rotators of the hip. If any of those areas feel stiff after your workout, seek guidance from a physical therapist about how to correct that dysfunction.

Myth: It will work the “wrong” muscles
“Dancers tend to go to Pilates and yoga because they are similar to dance,” says Kaplan. While there are benefits to these forms, that similarity has a downside. Any kind of repetitive movement can lead to imbalances in the body that can cause overuse injuries. Use strength training to work muscles in a different way than you do when dancing. “The weight-training room should be for corrective exercise. You need to balance your body out,” says Brookbush. “Weight train for strength and endurance. Dance will train you for dance.” 


 
















Try This: Step Up to Press

Compound movements, which involve multiple joints, will benefit your dancing and keep your body (and mind) engaged. For this exercise, you will need a box or step and a pair of dumbbells—choose a weight where the last 1 to 3 reps feel very difficult, but you’re able to complete them with proper technique.
  • Facing the step, holding the dumbbells at shoulder height, palms facing forward, step up on your right foot, and bring your left foot to meet it, squeezing your butt on the right side. Make sure your knee moves straight forward over the toes.
  • At the top, press the dumbbells up directly over your shoulders. Keep your abdominals engaged and do not hyperextend your lower back.
  • Lower the dumbbells back to shoulder height as you step back down to the floor with your left foot, with the right foot following. Keep the lowering slow and controlled.
  • Repeat, alternating legs, for 1 to 3 sets of 12 to 24 repetitions.
  • To make it more difficult, step up to balance on one foot while you perform the shoulder press.

Getting Started

If you don’t have access to a trainer, err on the side of caution when starting to strength train. “Dancers are used to pushing to exhaustion,” says Jared Kaplan. While you should work until you feel fatigue, you do not need to push your body to failure. Dr. Brent Brookbush recommends dancers focus on doing lots of core work, and says to choose exercises targeting your major muscle groups: chest, back, shoulders and legs. Twice a week, practice at least one exercise working each of those muscle groups, with 1 to 3 sets of 8 to 12 repetitions on each side.